基于"规画"理论的秦都咸阳规划设计方法与技术研究

Xianyang, the capital city in Qin Dynasty of ancient China, has a crucial role that brides the past and the future in the planning history of China's ancient capital cities. While the planning and design technology of Xianyang has special important academic value, scholars in planning field are in lack of a convincing explanation as well as systematic study on its theory, method and technology in terms of planning and design practices. It is urgent to fill this blank during the modernization process of cultural construction and Chinese cultural renaissance. This study focuses on addressing the planning and design problems of Xianyang, and intends to construct a theoretical framework of "GuiHua" concentrating on planning of human settlements in ancient capital cities. Based on this principle, the study develops the theory of human settlements sciences through exploring the planning and design method of Xianyang City.

在中国古代都城规划史上，秦都咸阳具有继往开来的重要地位，秦都咸阳规划设计技术具有特别重要的学术价值。长期以来，学术界对秦都咸阳规划设计的基本理论、方法和技术尚缺乏系统的、令人信服的解释。在实现文化复兴与文化建设的现代化进程中，亟需填补这一学术空白。本课题针对古代都城规划设计研究中亟待解决的秦都咸阳规划设计难题，建构面向古代都城人居建设的"规画"观念，在其指导下探索秦都咸阳的规划设计方法，实践并发展人居环境科学理论。

在中国古代都城规划史上，秦都咸阳具有继往开来的重要地位，秦都咸阳规划设计技术具有特别重要的学术价值。本课题梳理相关历史文献，落实考古成果空间信息，建构了秦都咸阳的历史地理模型；从区域视野重新认知秦都咸阳的选址、布局和重点地段之经营，对秦都咸阳的格局和轴线进行“规划复原”；挖掘秦都咸阳“象天法地”“山川定位”的规划设计方法，深化对古代都城人居建设“规画”观念的认识。本课题填补了秦都咸阳规划设计的基本理论、方法和技术的学术空白，实践并发展了人居环境科学理论，对实现传统文化复兴、推进地区文化建设、优化地方人居环境具有重要的现实意义。